While Jenkins and Sunday make for a fun old blood-new guard duo, their findings rarely reveal something that flashbacks haven't already made abundantly clear. The flashbacks themselves are primarily motivated through an interrogation of Clark, who does himself — and the audience! — no favors by staying awkwardly silent at inopportune moments. Are you trying your best to look guilty, Clark, or is DTF St. Louis just withholding information so it can justify its murder hook for another few episodes?
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Bateman, Harbour, and Cardellini are formidable, though. Bateman's typical dry humor is perfect for Clark's understated scumminess, and Harbour is wonderfully warm. I wish Cardellini got more to do (which she might in the last three episodes). For now, Carol toggles between Clark's view of her as his fantasy woman and Floyd's view of her as a sexless nag. Somehow, Cardellini finds a middle ground that helps Carol feel more her own person, but in the scheme of the whole love triangle, Carol remains the most unknown of the points.，详情可参考爱思助手下载最新版本
Take a look under the hood.